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Meet Steve Schwartz: Coaching Students Through LSAT Unplugged

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LSAT Unplugged coach Steve Schwartz with buzzed hair, glasses, a mustache and a beard  wearing a red and white striped shirt standing in front of the camera.
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None of us are strangers to the barriers that standardized testing poses to students. Most of us have gone through exams such as the SAT, ACT, or SAT II exams, which are notorious for being inherently abstruse to students without test preparation programs and similar resources.

Beyond these college entry exams, which some schools have made optional due to these reasons, there are also graduate school entry-level exams. Like the SAT and ACT, exams like the GRE, LSAT, and MCAT serve as gatekeepers to graduate school for many students for several reasons, ranging from financial difficulties to no access to preparation materials.

According to a study by Harvard scholars, the LSAT was linked to the marginalization of aspiring black lawyers. 

Even so, individuals are working to alleviate these barriers; Steve Schwartz, one of these remarkable individuals, is making his LSAT preparation materials more accessible to all demographics through his blog and YouTube channel. BLENDtw had the pleasure of interviewing Steve about his journey to becoming an LSAT coach. 

In your blog, you mentioned that a lot of other LSAT coaches tend to be geniuses that didn’t have to study for the LSAT for a good score. But, you worked extremely hard for your impressive score, and you can help others accomplish the same for themselves. How do you adhere to your promise to make LSAT prep and impressive scores accessible to all?

Well, it’s really about getting into the student’s mindset and seeing the questions from their point of view. Going back in time to when I was prepping, I would feel dumb sometimes; I wouldn’t always get it the first time, the second time, or even the third time. So, it’s really about adjusting to the way they think about it and getting them to understand it using their way or their approach. 

In 2019, there was a study published that linked the LSAT to the marginalization of aspiring black lawyers. How are you working to alleviate this marginalization?

So first off, aside from my courses, I release 98% of my information for free via the YouTube channel, Facebook group, and Instagram. So 98% of my information is free, that’s a lot of information. That being said, I also have scholarship programs for my class.

Earlier this year, I ran a special interest scholarship, where all you had to do was submit a short video, really anything you want. I got over 100 submissions. I was initially going to give 10 students access to top tier courses for three months, but I got so many good submissions that I accepted 30 students for free.

Going forward, I have several scholarships I am running, through which you can get 50% off the classes if you have a fee waiver, are active or former military, and if you’re committed to practicing law in the public sector, you can get an additional 10% off. I am doing my part and always looking for more ways to make my materials more accessible. 

How do you believe standardized testing gauges one’s abilities? What is your opinion on the belief that assessments like the LSAT are barriers to achieving one’s dreams? 

I think standardized tests play an important role, but they’re also overemphasized in the admissions process. They have some validity, and they’re a better objective method than GPAs are because of grade inflation and variations among different kinds of programs; one standardized test plays a role in leveling that field.

But, at the same time, people can afford prep while others can’t. That creates barriers because some people have certain backgrounds that make it so that they can perform better in these exams. So, I wish that these exams didn’t have as much importance as they do. But, I still think they play a role. People should always be looking to make these exams better and more equitable. 

You mentioned in your blog that you became an LSAT coach upon obsessing over it, achieving an impressive score, and wanting to help others to do the same. How did you reconcile your dreams of becoming a lawyer with your desire to help others surpass the “roadblock” the LSAT poses on the journey to law school?

First off, once I took this exam and became obsessed, my natural process of studying it naturally forced me to help others. So, since I was a political science major as a pre-law student, I had friends who were also looking to take the LSAT; it just felt natural to help them. I kind of fell into teaching the exam in that way.

At the same time, I was working on my law school application and personal statement, and that really is a journey to self-discovery, and you wonder why you want to go to law school and what you are doing here.

Through that, I realized I didn’t want to go to law school; all the things I loved about it was an idea I had created for myself. But, I loved teaching the LSAT, so I decided that it was really for me.

I discovered this by writing a personal statement. I started my blog a few years later, and it just took up from there along with the YouTube channel.

And from here, we really are just looking to expand mediums to get as much information out there for people to have. 

What advice would you offer a college student on a predetermined path, like pre-law or pre-med, about not reaching a traditional endpoint?

I would say to talk to some people doing what it is that you want to do. I would say to do some exploration and talk to people in the field and ask them what they do. Maybe you can shadow them so you can understand what it is that goes on so you can get a clear idea and not just something you make up in your head. Talk to the professionals in the field and get their advice. 

What is the most memorable or impactful coaching experience you have had thus far?

There are so many, it’s hard to think of just one. I have a lot of online coaching sessions; I even release them on YouTube where students get those flashes of insight. And whenever that happens, that’s really powerful. And, of course, due to COVID, there are more online classes. I play with different formats and the most interesting is group coaching.

In this format, the students support each other and present information to one another. It is an extremely powerful moment when students begin to support each other. It’s empowering to have someone learn by teaching others. I have learned a lot from teaching, but those moments where one student supports another and grow through that process, I think that’s the most powerful thing I have experienced. 

Steve’s commitment to making his classes accessible and his passion for teaching shines bright. He is making a monumental difference in his students’ lives and he is providing accessible courses in an attempt to eliminate the unfair barriers that standardized exams pose for students.

Spotlight

Meet Scott Hughes: The Entrepreneur Who Built One of the Largest Online Book Communities

Are you a book junkie? Find out how Scott Hughes built OnlineBookClub, a free online community for book lovers with over 2 million members.

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Scott Hughes

Are you a book lover?

If you are, then you need to check out OnlineBookClub.org, a free online site for book lovers around the world.

The online site features book reviews, book & reading forums, and useful tools that enable you to store, track and list books you have read or want to read.

Scott was only 19 when he launched OnlineBookClub.

The idea of creating OnlineBookClub originated after Scott, a book fanatic, realized that there were too many restrictions for in-person book clubs such as tight deadlines on book reading, a limited selection of books, and little freedom to pick books to read. 

Scott wanted to leverage the power of online discussions and create a flexible space where people all over the world could easily find people to chat about any book at any time. That is how OnlineBookClub came to life. 

Building the online platform was a rewarding experience for Scott, but it was far from easy.

For 7 years, Scott ran the business and paid himself nothing from it. During those years, he worked odd jobs to pay his living expenses and put food on the table for his two kids. 

“I remember one month I had to go to the coinstar machine at the bank with my spare change on the 10th of month just so I could cover the rent, but I did it.”

The hardest part of creating the platform for Scott was finding time to run the business while juggling his day job and raising two kids. It was difficult for him to find a work-life balance but he made it work despite the hardships. 

At the end of 2014, Scott finally took a leap of faith, gave up his side jobs, and went full-time at OnlineBookClub. He knew that to make it work, he had to devote himself completely to the online site.

And his efforts paid off. 

The platform is thriving with over 2.7 million registered users as of November of 2021.

Scott’s team recently released an e-reading app meant to compete with Amazon Kindle, called OBC Reader, which is available on both the Google Play Store and the Apple Store.

The revenue of the platform primarily comes from paid online advertising and professional services to authors and publishers, such as editorial reviews and manuscript editing.

Scott is proud of the work he has accomplished so far, especially of the community he has built.

“OnlineBookClub has always been filled with kind people who have a strong sense of togetherness and community. It’s like a second family for us.” 

Scott’s journey has been full of ups and downs, but through it all, he is grateful for all the experiences-good ones and bad ones.  

When asked to advise young entrepreneurs just starting, he has the following to say:

“The journey never really ends. If you make a million dollars, then you might chase a billion. Even if you reach all your financial goals and lose interest in that side of things, your mind will create new different goals. So it’s never about reaching some destination. When you look back on it, in many ways the most challenging times are also seen most fondly.”

He also believes that entrepreneurs need to be driven by something other than money. 

“I’ve found in my anecdotal experience and just from watching the world around me that those who desperately chase money are the least likely to find it. In contrast, when you work hard on yourself and your real dreams, money chases you. Money–and even health and physical fitness–are only really ever a means, not an end in themselves. Without some kind of vision or passion to be the real end, the real goal, the real dream, it’s like driving a car with no gas.”

Scott’s story is a great reminder that anything can be achieved with perseverance, passion, and hard work.

So, if you are just starting, make sure to stay tuned for his upcoming book, “In It Together: The Beautiful Struggle Uniting Us All,” which will be released soon.

You can connect with Scott on Instagram, Facebook, or Twitter for more information about OnlineBookClub and get updates about his latest projects. 

 

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‘Halloween Kills’ Cast & Crew Explain the Slasher

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(from left) Karen (Judy Greer), Laurie Strode (Jamie Lee Curtis) and Allyson (Andi Matichak) in Halloween Kills, directed by David Gordon Green.

Article by Riley Farrell

The cast and crew of Halloween Kills told Blendtw why the latest slasher’s gore is anything but gratuitous in a year like 2021. 

Jamie Lee Curtis, Andi Matichak, Anthony Michael Hall, Kyle Richards, Malek Akkad, David Gordon Green and Jason Blum tell horror fans to expect carnage. After all, Halloween Kills must live up to its title.

Chainsaws buzzing and bats swinging, Halloween Kills is a current-day cathartic catastrophe – and no character is safe – according to producer Jason Blum of Blumhouse Productions.

Halloween Kills is the 12th movie in Michael Myers’ macrocosm, with the 13th, and allegedly final, movie coming out in 2022. When seriously injured Laurie Strode thought she killed Michael Myers after 42 years of trailing him, his annual bloodbath recommences. Sick of living at the mercy of “pure evil,” the town’s vigilantes revolt against the boogieman. 

 

“Subtlety is not this film,” said director David Gordon Green, on fitting in as much bloodshed as possible in 105 minutes.

 

The cast filmed Halloween Kills two years ago and shelved it due to the pandemic, until now.

Picking up where Halloween (2018) left off, the film explores the aftermath of collective trauma, said Green. Given everything that’s ensued in the last two years, viewers do not have to live in Haddonfield to understand suffering, and inversely, resilience. 

 

“We’ve taken a slasher movie and it’s landed in a time of cultural relevance because of our public consciousness,” said Green. “Though [the movie is] grotesque, there are moments when we feel the humanity underneath the surface of this movie monster.”

 

Halloween Kills brought back two characters from the 1978 Halloween in Tommy Doyle (Anthony Michael Hall) and Lindsey Wallace (Kyle Richards), the two children who Laurie babysat during Michael’s initial attack. Hall and Richards did not require much persuasion to hop on the franchise, said Green.

 

Halloween kills

Jamie Lee Curtis as Laurie Strode in Halloween Kills, directed by David Gordon Green

The callbacks of all-grown-up characters, of course, evokes nostalgia. But the twist on the trope is that, instead of running from Michael, the kids now face him head-on, said Richards. Hall, who described Halloween Kills as a “thrill ride” and “freight train,” said the slasher hinges on human resilience.

 

“We summoned something deep in themselves and decided to fight back, we’re not just survivors but fighters,” said Hall.

 

Resilience as a motif snugly fits within the cultural zeitgeist, even earning a title as Forbes’ 2021 word of the year. Though coincidental, the visceral and violent images in Halloween Kills harken to audiences’ nihilistic experiences of the past 18-months. Producer Malek Akkad said the slasher film can paradoxically be pertinent yet escapist for viewers who’ve experienced the horror genre by simply reading the news.

 

“It’s tough for everybody right now and this movie’s just a fun release,” said Akkad. “There’s nothing more cathartic for people watching than to see a final girl like Laurie.”

 

For reference, the final girl trope, pioneered by the character of Laurie Strode in John Carpenter’s 1978 Halloween, represents the heroine left standing at the end of a horror movie who is charged with defeating the antagonist. Film theorist Carol J. Clover coined the term in her 1992 book, ‘Men, Women, and Chainsaws: Gender in the Modern Horror Film.’ The final girl has been observed in many films, including The Texas Chain Saw Massacre, Alien, Friday the 13th, A Nightmare on Elm Street and Scream.

 Scream queen Jamie Lee Curtis said she was unaware of the meaning and dialogue surrounding the final girl until recently. She argued, even though the trope has immense cultural significance, the original idea of the final girl is uncomplicated.

 

“The term is just about the tenacity of women to survive because, the truth is, women have survived through a lot,” said Curtis.

 

No characters know survival better than the Strode women. Andi Matichak, who plays Laurie’s granddaughter, and Curtis agreed that their favorite behind-the-scenes moment centered on feminine resilience in spite of harsh conditions.

 

Halloween Kills

Michael Myers (aka The Shape) in Halloween Kills, directed by David Gordon Green.

It was a frigid 4 a.m. shoot, and the three generations of Strode ladies were alone in a truck, coated in fake blood, with only each other and a camera rig for warmth, Matichak described. This moment was the last time Laurie, Karen and Allyson were on screen together.

 

“It was a powerful moment to lean on each other and feel the weight of the project,” Matichak said.

 

Cutting through the sweet moments is the slasher at the heart of the story, said Curtis on the “high octave, frenzied” plot of Halloween Kills. For audiences who’ve lived through the chaos of the past two years, Halloween Kills should match their fast pace of existence.

 

“The past is irrelevant, you’re so in the present moment,” said Curtis.

 

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Waving Through A Big Screen: ‘Dear Evan Hansen’ Cast Talks Film Adaptation

With Ben Platt reprising his Tony-winning role as the show’s titular character, a whole new Hollywood cast takes on Broadway.

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A boy and girl laughing

Content warning: mentions of anxiety, depression and suicide.

Article by Riley Farrell

All that it takes is a bit of reinvention for Dear Evan Hansen to move from the theatre to theaters, hitting eardrums on Sept. 24 this year.

With Ben Platt reprising his Tony-winning role as the show’s titular character, a whole new Hollywood cast takes on Broadway. Platt, Julianne Moore, Amandla Stenberg, Amy Adams, Danny Pino, Kaitlyn Dever, Stephen Chbosky and Steven Levenson explained the movie’s newfound reach and relevance in an interview with BLENDtw, among other publications.

The Plot Thickens

A boy between two trees in a forest

Dear Evan Hansen

Begrudgingly in therapy for anxiety, high schooler Evan Hansen is tasked with writing daily letters to himself, hence the movie title. After Evan’s peer Connor Murphy kills himself with Evan’s letter in his backpack, Evan’s page is mistakenly thought to be a suicide note from Connor. 

Evan tells a well-meaning white lie that soon darkens with self-interest to get closer to the Murphy family, which includes Connor’s sister Zoe (Kaitlyn Dever), and Connor’s mom and dad (Amy Adams and Danny Pino, respectively). Via fake emails and a fundraiser, what once began as a misunderstanding spirals into an operatic betrayal about teens and their screens. 

Oh, How Times Have Changed (Or Not)

A boy and woman sitting on a couch

Dear Evan Hansen

To address the obvious, it has been a long time since DEH initially premiered in 2015 – but the cast said the musical remains relevant. Things have changed: a pandemic rocked our worldviews and Ben Platt, shockingly, aged.

Platt, 27, played Evan in the original musical version. After the movie trailer dropped in 2021, Platt faced online backlash over playing a character a decade younger, even though he lost 15 pounds and changed his styling routine to appear youthful.

“As a parent, I saw a teenager in Ben’s demeanor,” Julianne Moore, who plays Evan’s mom, said in Platt’s defense.

Speaking of something that’s aged us all, COVID-19, the ideas explored about mental health in DEH six years ago seem timely today, said Dever.

“This film is about feeling isolated, after the pandemic, we’re looking to feel heard,” said the Booksmart actress.

A 2021 study from the National Institute of Health found that anxiety symptoms increased during the COVID shutdowns, making ordering delivery and asking peers to sign your cast daunting. This film was a refreshing counter-narrative on what anxiety looks like, demographically and behaviorally, said Stenberg, who shared an on-set story about the stakes of DEH.

Chbosky, the author of Perks of Being Wallflower, showed a letter to Stenberg that a teenager had written to him after reading the novel. The reader expressed how his suicidal ideation disappeared after reading Chbosky’s book. That book saved him, said Stenberg. After that experience, Stenberg said she felt the movie served as an opportunity for mental health representation, not tokenism.

 “I was excited to be playing a Black girl who is on medication,” Stenberg said of her high-achieving teen character, Alana Beck.

There’s no one face or behavior associated with anxiety, Stenberg said. Stenberg said she’s been prescribed medication as a teenager but has only recently come to terms with the shame she felt about mental health.

 

Movie Magic

A boy alone on a stage wearing a tie

Dear Evan Hansen

The year isn’t the only context that’s changed. The medium by which this sensitive story is delivered has transformed from the live stage to the screen. Freedoms of editing and re-filming takes helped storytelling, said Chbosky, who felt ‘obsessed’ with the spotlighting of each character.

Via camerawork, Chbosky and Levenson said they more innovatively explored symbolism and imagery. The film’s juxtaposition between social media and nature – contrasting screens with sunlight as motifs – is about duplicity in the dark and authenticity in the light, said Chbosky.

 “You can’t have truth without the lie,” said Chbosky.

The filmmaking medium aided in communicating the perils of presenting a fake self online, said Levenson. 

 “We wanted to play with the idea of how fast lies can spread online,” said Levenson. “How untrue things make you feel great and the complicated nature of that.”

Expanded audiences can enjoy the story now that it has transcended the Broadway medium. Though fans of the original musical will encounter changes to the original stage material, Platt said he thinks Evan’s move from the stage to the screen is a step towards accessibility. The message of DEH is magnified when more audience members are added to the conversation, said the Pitch Perfect actor.

 “No matter what, it’s important for me to communicate that there’s nothing that makes you unlovable,” said Platt.

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